The unknown masterpiece. Artists and writers in the studio

13 Davide Daninos ed Emanuele Trevi

The unknown masterpiece. Artists and writers in the studio

€ 3.00
Saturday 26 May 2018 5:30 pm
teatro Bolognini 2

For at least 700 years the studio has been a place common to the work of writers, artists and intellectuals. The studio has provided a setting for change and opportunity, one that is private and often unknown. Saturated with intuition, discoveries and failures, it provides critical thought with the necessary space to renew the rules of art and culture. When exactly did intellectuals begin to search out the isolation and solitude required for their work? Was it always a common impulse or has it taken different forms over the course of the centuries? Examining the evolution and birth of this approach is like observing the habits and changes of modern thought from a privileged vantage point. A voyage through the parallel histories of art and literature, dismissing and confirming myths and superstitions, this is the story of how the studio emerged as a necessary instrument for artists to test out their thoughts and the reality around them, even today.


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Davide Daninos is an independent curator and art critic. In 2017 co-curated the exhibition Intuition at Palazzo Fortuny in Venice. In 2015, together with Jacopo Menzani, he founded Instudio, an online archive documenting artist studios in Italy (in-studio.net). Previously, he was the art director of the philosophy magazine Post (Mimesis, 2013-2015) and curator at Brown Project Space, Milan (2011-2012). His texts and essays have been published in many catalogues and publications, such as Matteo Nasini, Sparkling Matter (Yard Press, 2018), Critical Collecting (ArtVerona, 2016), Attitude(s) and current research in Italy (T-A-X-I, 2015), Nicola Martini, Nervo Vago (Mousse Publishing, 2013), Fabrizio Prevedello, Verde (Cardelli & Fontana, 2013). He writes for Flash Art Italia since 2016.

 

Davide Daninos & i Dialoghi

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Emanuele Trevi, a writer and literary critic, has translated and curated Italian and French classics and works with the Corriere della Sera newspaper. His books include: Istruzioni per l’uso del lupo (Castelvecchi, 1994); Invasioni controllate (with Mario Trevi, Castelvecchi 2007); Il libro della gioia perpetua (Rizzoli, 2010); Qualcosa di scritto (Ponte alle Grazie, 2012); Senza verso. (2004); L’onda del porto (Laterza, 2005); Il viaggio iniziatico (Laterza, 2013); I cani del nulla (Einaudi, 2003); and Il popolo di legno (Einaudi, 2015).

Emanuele Trevi & i Dialoghi

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